Get A Composer's World: Horizons and Limitations (Schott) PDF

By Paul Hindemith

ISBN-10: 3795700248

ISBN-13: 9783795700249

The e-book goals to be a advisor during the little universe that's the operating position of the guy who writes track. As such it talks predominantly to the layman,although the professional composer can also locate a few stimulation in it... From the middle of simple concept the dialogue will opened up into the entire geographical regions of adventure which border the technical points of composing, similar to aesthetics, sociology, philosophy, and so forth.

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Extra resources for A Composer's World: Horizons and Limitations (Schott)

Example text

If music did not instigate us to supply memories out of our mental storage rooms, it would remain meaningless, it would merely have a certain tickling effect on our ears. We cannot keep music from uncovering the memory of former feelings and it is not in our power to avoid them, because the only way to “have” — to possess — music, is to connect it with those images, shadows, dreamy reproductions of actual feelings, no matter how realistic and crude or, on the contrary, how denatured, stylized, and sublimated they may be.

Thus a composer can never be absolutely sure of the emotional effect of his music on the listener when using complex material, but by experience and clever distribution of this material, moreover with frequent references to 38 ctâÄ [|ÇwxÅ|à{ T VÉÅÑÉáxÜËá jÉÜÄw those musical progressions that evoke the uncomplicated feeling-images of sadness or gaiety in an unambiguous form, he can reach a fairly close approximation to unanimity of all listeners’ reactions. ” The conclusions drawn from our elaborate inquiry have given us an answer that seems to be sufficiently satisfactory.

But these reactions can never be like the genuine ones of the mass murderer, as we do not have the actual experience that left its imprints in his mind; they can be nothing but reactions of a similar — never identical — nature; reactions based on the feeling of satisfaction we had after other cruelties we committed. These are now substituted by us for the lacking experience of greater cruelty, and are rather artificially brought into contact with a musical impression. If music did not instigate us to supply memories out of our mental storage rooms, it would remain meaningless, it would merely have a certain tickling effect on our ears.

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A Composer's World: Horizons and Limitations (Schott) by Paul Hindemith


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