By William Leavitt
This sensible, complete strategy is used because the easy textual content for the guitar software on the Berklee university of tune. quantity One builds a pretty good starting place for starting guitarists and lines a entire diversity of guitar and track basics, together with: scales, melodic experiences, chord and arpeggio reviews, how you can learn track, certain workouts for constructing approach in either palms, voice major utilizing transportable chord kinds, and extra.
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Additional info for A Modern Method for Guitar - Volume 1
Do not go back over any particular section because of a wrong note . . DO KEEP AN EVEN TEMPO and play the proper time values ... By obeying these rules the "Reading Studies" will never be memorized ... A little later on it is recommended that you use this procedure with a variety of material as this is the only way for a guitarist to achieve and maintain any proficiency in reading. (Even when working steady we are not reading every day - so "scare yourself in the privacy of your practice sessions" .
In the" following exercise use the large diagrams OR the smaller optional fingerings in sequence - DO NOT MIX THEM. . Smooth, melodic rhythm accompaniment depends on the number of chord forms mastered. (1st pos. F and G scales contain two octaves - play all patterns in BOTH octaves) Be sure to observe the tempo changes. Also, vary the "DYNAMICS" (degrees of volume, loud and soft) to make the music more interesting to listen to. REVIEW ALL MATERIAL Of course having only eleven chord forms at your command will cause you to move up and down the fingerboard much more than is desirable for good rhythm playing.
WHEN THE OUT OF POSITION NOTE IS NOT A SCALE TONE AND MOVING UPWARD USE F. S. 1, AND MOVING DOWNWARD F. S. 4. . REGARDLESS OF FINGERING TYPE. (ALL SCALE FINGERINGS INTRODUCED FROM THIS POINT ON WILL NOT USE ANY OPEN STRINGS, AND THEREFORE THEY A R E MOVABLE, IN THE SAME MANNER AS THE CHORD FORMS PRESENTED EARLIER. SEE P. 45) (Remember - All natural notes on the guitar are 2 frets apart, except E to F and B to C) DO NOT PRACTICE these two pages. just READ them, but not more than twice thru-during any single practice session.
A Modern Method for Guitar - Volume 1 by William Leavitt